THE STORY BEHIND THE NATIVE DANCES IN THE PROVINCE OF TAWI-TAWI: TRANCENDING CULTURAL UNDERSTANDING

Halima  Janang,; Joselito  Bagalanon,; Paramisuli  Amin,

THE STORY BEHIND THE NATIVE DANCES IN THE PROVINCE OF TAWI-TAWI: TRANCENDING CULTURAL UNDERSTANDING

Halima Janang | Joselito Bagalanon | Paramisuli Amin

Discipline: Education

Abstract:

This study aimed to discover the historical background of cultural dances in Tawi-Tawi, namely, Lunsay, Igal, Tariray, Linggisan, Langka budjang, Igal mag Jin, Igal Tawti, Igal ma kibut, Igal ma Boh and kuntaw. Specifically, it sought to answer the following questions: What is the origin of these dances, meaning, the materials used, and how is it being performed? And what are the socio-cultural implications? This research study utilized a qualitative design. The respondents of this study were selected from knowledgeable dance expert natives. All gathered data was analyzed, translated into English, and presented in a narrative form. The study found out the following: dances were performed in socio-cultural activities, gracing good harvest, mimicking bird movement, a strong conviction that their illnesses are cured, economic problems can be solved, and guidance and protection from ancestors. Native materials used such as malong, pis yabit, pieces of cloth in any native color; and musical instruments such as kulintangan, agong, gong, and tambuli. Janggay, sudlay bulawan (gold plated comb), and kalajugjug. This study concluded that the origin of the dances basically is almost associated with nature and spiritual beliefs. This helped maintain cultural continuity and prevent the loss of important cultural knowledge and practice as it fostered mutual understanding and unity within the different island municipalities of the province of Tawi-Tawi. It is recommended that these dances should be preserved with the help of the LGUs and procedures are needed for uniformity of execution.